About my work

Today I paint in watercolour because I like the variety of effects it can produce such as painting wet-in-wet and it is easy to travel with. I begin each work with an initial pencil drawing. My subjects include landscapes, architecture, waterscapes and nature. Most of my work is completed at home and the paintings are generally 9×12 or 10×14 inches in size. But working directly from the subject, is also a great joy. Watercolour allows you to work quickly and therefore capture moments of weather even as they are changing. I was once painting a sketch of the towers of San Gimignano lit up by a glorious mid-winter sunset when I suddenly noticed my paint had started to granulate as if there was mud in it - I was so absorbed in the painting that I hadn't realised my paints and the painting had frozen!

Several contemporary watercolourists have influenced me. I particularly admire Trevor Chamberlain’s considerable talent for working quickly and fluently outside producing results which are bold and expressive while maintaining an overall control of the paint.

I must thank the people who have stopped over the years and said something memorable while I was painting outside - the London police officer who suggested I could sell my work directly to tourists on the street even though it wouldn't strictly be allowed, the couple who said they like to support poor starving artists although I didn't look poor or starving (I took note to curate my appearance accordingly!), the woman in St Paul de Vence who commented that there is poetry in my work.

All my artworks on this site are originals - not reproductions. I sign my pictures discreetly on the front, unless otherwise mentioned.

My background

Growing up in the wilds of Wales, I loved being outside observing and sketching birds, flowers, and nature in general. I later won a scholarship to study at the Studio of Charterhouse school going on to produce a portfolio in watercolour, oil, gouache, charcoal, etching, linocut, silkscreen printing, and ceramics. There were also regular life-drawing classes which taught me the need to observe rigorously. The urge to travel then took me to live in the Atlas Mountains and, today, inspiration for my work still comes from travelling with sketchbook and a small watercolour palette, striving to capture the essence of a place. Today I live in the south of France, in the town of Vence, enjoying the intense light and colours of this region.

Watercolor painting of old yellow church towers with trees and a pink sky in the background.
A man with a straw hat, glasses, a purple checkered shirt, and beige shorts sitting on a bench in a European city square, sketching in a notebook with a pen, holding some money and a small box, with outdoor cafes, bicycles, trees, and historic buildings in the background.
Watercolor painting supplies on a wooden table with a view of a river and cityscape in the background, including a sketchbook with a painting of palm trees and water, watercolor palette, and paintbrush.

The Nile at Aswan (with fellucas) and Luxor at different times of day. The pyramids in a dust storm.

In my sketchbooks I record my impressions of a place at a particular moment, carefully observing what I perceive.

After a trip, I review my sketches and photos and then create a set of more finished paintings – a collection of my experiences.

Below are some larger finished paintings now in private collections around the world!